Lingua is the unlikely offspring of our CAPUT font. Wondering what the undercast characters of this font would look like, I started writing. I was pleased with the first results and this encouraged me to pursue the process. The final font still has some slight resemblance to its predecessor, but stands completely on its own. This bold, sturdy typeface is very suitable for headers, posters and other designs where large sizes are needed. It comes with both a western and a cyrillic character set. Check it out here.
Antwerpen based visual artist Alexandra Crouwers asked me to create a custom typeface based on the tunnels and cavities a barkbeetle ( Ips Typographus or ‘letterzetter’ in Dutch) creates in dead tree bark. She asked for exactly 26% readability and that’s what I tried to achieve.
This is what she wrote about her project:
“In the early 1960s, my grandfather acquired a piece of land, filled with young Norway spruces. The trees were left alone for decades and grew tall, transforming the land into a small family forest, which my mother inherited. In September 2019, all trees had died, and the forest had to be cleared. It became The Plot, a gateway for ecological grief.
The preceding springs and summers came with extreme drought, while unusually mild winters saw barely any frost. The prolonged drought weakened the trees, and the warm winters caused an unstoppable infestation of spruce bark beetles. The beetle lays its eggs in tree bark. Its larvae eat their way out, leaving intricate tunnel patterns that resemble alien alphabets or hieroglyphs, hence its name: Ips typographus in Latin, or Letterzetter in Dutch, which translates back into English as compositor.”
You can check out her other work on www.alexandracrouwers.com
The Quarantinus font was created during the 2020 covid 19 lock-down. Tranquility being all around, the JOEBOB graphics studio almost felt like a monastery, and as a result my style of writing and my choice of pen had to fit.
All this writing was turned into an authentic handwritten script font with over 150 ligatures, which make it look very credible and spontaneous.
The font is especially suitable for personalized ‘handwritten’ notes, cards and messages. It can be used on T-shirts and on shop-windows. It has an ‘instant logo’ quality, it can be used for tattoo-designs and it screams home-made everything. And in case you are a writer you now have an option to print your work in a way that seems as if you wrote it yourself.
Please note that even though the font comes with a complete set of Western characters, accents and special signs, the Cyrillic and Greek characters that are in the font do not make a complete set.
You can try it out for yourself and even buy a copy here.
Containing over 100 ligatures, Epistula is a loosely written font, resembling my own natural way of writing. It has a nice flow and the pointy tail-ends give it a certain speed. Creating Epistula has been a long process, but returning to the drawing board a few times has – in my humble opinion – paid off. This font comes in two weights: regular and medium. Because sometimes one flavour isn’t enough…
To buy this font, click here
The Paris based office of brand consulting and design company Landor asked us to create a custom typeface for one of their clients. They really liked our CAPUT font and wanted an adaptation. The original crayon effect was changed to a smooth version with a brushy touch. The typeface has also been expanded with undercast and alternate characters. We’re looking forward to see the font in action!